Nobodies T-shirt is safe

I’ve always had a soft spot for a trendy T-shirt, either on me or the kids, but can’t get to indulge so much these days, so a discovery in the normally useless craft book section in Waterstones was a godsend, Iron Me On: 30 Sheets of Awesome Fabric Transfers by Brooklyn artist Mike Perry was only £6.99 and within? Well over thirty lots of gorgeous designs perfect for T-shirts. So consequently nobodies T-shirt is safe, specially poor Boy Lacer, who being a boy, has a predominance of plain T-shirts just right for a bit of iron on action! So, after a day of very boring hemming of tea towels, I decided to have a bit of fun and raided Boy Lacer’s T-shirt drawer.

I did three T-shirts for Boy Lacer and one for me, keeping it simple for my first attempt (the great thing about this book is that most of the designs are fairly small, so you’ve got a lot of control about how you mix the designs together but in keeping it simple I was just using one transfer per T-shirt this time (and finished off with two transfers for the tank T-shirt)). As long as you set up your workspace as instructed, ideally a low table or a Formica work top, covered in a smooth piece of fabric, definitely not an ironing board, as apparently the heat won’t transfer properly and possibly got a bit of experience with stencilling or at least iron on embroidery transfers, it’s fine, although I’d recommend using old T-shirts at first, until you’ve got the hang of it. You really need to be careful not to shift your transfer or miss out a bit. Also I’d recommend putting something smooth inside your T-shirt because there’s a bit of a risk of bleed through, as you’re ironing. But if it comes out ok, it’s great, I was really surprised about the quality of the result, I was sort of expecting something a bit plastic-y but it seems to be a straight forward ink transfer, you really wouldn’t know it’s been done at home. Although using a coloured T-shirt means the colours look a little faded, which is nice in a vintage sort of way.

Cross stitch lavender sachet

Another Christmas present, this one is for my Grannie, it is a lavender sachet, filled with dried lavender from my garden (thankfully I managed to dry it a lot better than last year and it actually smells like lavender this time).

The cross stitch design is from Angry Chicken’s Mail Order #5 (blogging from my phone again, so I can’t do links, but if you go to my blog roll and click on Angry Chicken, you’ll be able to find it from there). I had planned to do her larger sampler but it was the first bit of cross stitch I’d done in ages and it proved fairly disasterous, so I attempted one of her smaller designs and had great fun. This was my first time doing counted cross stitch with waste canvas and I have to say I’m hooked now, as I love the effect and I like the grey and red combination here, it doesn’t seem too traditional. So will definitely have a play with more cross stitch after Christmas, experimenting with colour and maybe some more modern designs.

Christmas Cake for one (or maybe three)

Ok, I know I said I wasn’t going to make a cake this year because I’m the only one who ever eats it, so even using the smallest tin I owned, there was still a lot going to waste, but how could I not? Specially when I found an even smaller tin (15cm) on Ocado. So, I made cake again this year, going back to the loving arms of Nigella, after cheating disastrously on her last year, going over to Rachel Allen, which had the misfortune of being the most disgusting Christmas cake I have ever made (whereas you can never go wrong with a Nigella Christmas cake).

This year I went with her Nigella Christmas recipe (lurve that book!), which is a little different from her How to be Domestic Goddess and Feast recipes, but not too different, in fact I have every confidence it’ll taste even better, it certainly smelt amazing as I was making it and it’s in the kitchen cooling down as I type and . . . I . . . want . . . to . . . eat . . . it . . . right . . . NOW! Having said that I generally want to eat my Christmas cake straight away, I should learn and massively bulk buy on dried fruits and simultaneously cook Jane Brocket’s delicious fruit cake at the same time, just to satisfy my fruit cake urges right now, as Jane Brocket’s fruit cake is most definitely fruit cake, as definitely as it is not Christmas cake (hmmm, a quick check through the blog and I see that I did end up making both last year, as I’d brought too much dried fruit, shame that upon making a significantly smaller cake this year, I managed ok on smaller packets of dried fruit and don’t have any left over, reading that blog post though, so that Allen cake had dried apricots in it, dried apricots in a Christmas cake? Much as I love dried apricots, no wonder it was disgusting! I should have known better!)

So, I’m in a very happy kitchen-y mood right now, me and my kitchen have not been getting along recently and I’ve done hardly any proper cooking since Girl Lacer’s birthday back at the end of October and I’ve missed it. It’s always amazing how contented a spot of baking can make you, all those delicious smells wafting through the flat!

The cake was ready to come out of the oven just before bedtime, Boy Lacer was hanging round the kitchen and he sees me take the cake out of the oven,

“What you make?”

“Cake.”

“Who’s birthday is it?” (see that’s how infrequently I bake these days).

“It’s nobodies birthday, it’s a Christmas cake.”

“Who’s birthday is it?”

“Well, um, I suppose some people would say it’s Jesus’ birthday. Do you know who Jesus is?”

“No.”

At which point Girl Lacer, who is in the bath, in the next room, chips in “I know who baby Jesus is.”

“Ok, who is baby Jesus?” I ask.

“THE SON OF GOD”

“Very good and do you know who Mary is?”

“Jesus’ mummy.”

“And who’s Joseph?”

“Jesus’ daddy.”

“But I thought you said God was the daddy?”

“Yes, but Joseph has to be daddy to, as he’s married to Mary, so he’s got to be.”

There you go, morality according to a six year old.

Boy Lacer on the other hand was more concerned about who was going to eat the cake.

“Mummy, daddy, Girl Lacer not eat all the cake ok?”

Christmas shopping again

Just been out trying to finish my Christmas shopping but Santa is feeling rather uninspired and also a bit of a spend thrift. So consequently the kids’ underwear drawers will be replenished this Christmas but to my credit it is nice underwear rather than the normal Primark stuff I get. Girl Lacer will also be getting a natty purple hat and glove set (like any modern 21st century 6 year old, pink is sooo past it and purple is de rigeour) and I wanted to get Boy Lacer one to but he has a very large head and now wears adult hats and even some adult hats are too small, so I had a tour round the menswear departments but they were either cheap and incredibly boring or nice and stripey and too expensive, so gulp, I brought some Noro wool and will knit one, it’ll work out cheaper but yet another thing to make before Christmas.

I was also half heartedly looking for a new top for my two Christmas parties this year and couldn’t find anything I both liked and could afford, M&S had some ok stuff but their range at the moment is a bit too much like my trendy auntie would wear and as much as she’s trendy, still a different generation. So I had decided I was going to wear an old grey jersey dress with my turquoise tights, when by chance I made my usual pilgrimmage to the fabric section of John Lewis (whilst getting the wool) and noticed a lovely, cheap, blue floral fabric for £5 a metre, so I’m going to make Weekend Sewing’s Summer Blouse (yes I know the season but as I was saying the other day, I hate winter clothes) which I’ve always wanted to make. I may not manage to make it by my first party on Thursday (so the grey dress will get an outing) but I’ll get something new for at least one party, with decent fabric and for only £10!

Finally I went into my local Borders, which had been in the process of closing down before it went into administration. I liked my Borders, compared to my local Waterstones, it had a far better craft and writers’ book sections plus they heavily supported the local writers’ festival, providing event space for a lot of the talks, however it was unlucky to be in a part of town where there weren’t that many other shops (specially since the Woolworth’s that was nearby, closed, although ironically the Swedish equivalent to Woollies is opening on the old Woolworths site next week), they were more in the cafe quarter of town, so when I wanted a book I went to the Waterstones, which was more centrally located and I’m sorry to say had better deals, so even now with Borders offering 20% off, that’s 20% off full cover price, which is still not cheaper in a lot of cases to going to Waterstones or Amazon, book monoliths that they are. They were even playing the blues over the speaker system as I went in there today. So, sometime soon I’ll be in a one bookshop town, which is sad and I bet Waterstones are rubbing their hands in glee as they’ll be getting all the customers that Borders did get.

Grown up colouring in

I’ve had a lot of fun, the last week or two, colouring this from the lovely Summersville (also known for her lovely screen printed fabrics). It comes blank, in just screen printed black and white and you colour it in however you choose. It’s been really fun and relaxing, plus interesting to see how the colours I used (from a brand new, specially bought for the purpose, packet of felt tip pens – well I wasn’t going to use the kids scraggy collection) worked together. They were quite posh Faber-Castell felts by the way, which were nice to use and with fun clips, used to clip the pens together, on the lids (which the kids are obsessed with now, they also liked the print and were interested in how I chose the colours). But I wasn’t impressed with how the colour on the pen didn’t always correspond quite accurately enough with the colour of the actual ink, hence some of the yellow being a little too fluorescent than I would have liked. But I still love this picture and it will have pride of place on my new little art wall, which we’re going to create in my bedroom.

Summersville also has a colour in alphabet poster for sale to.

Holding back the DSLites – plus some historical photos

I’ve been looking forward to today for ages, Mr Lacer gets paid = Mrs Lacer finishing the Christmas shopping. I have been doing some, in dribs and drabs, but I needed a concerted burst and this year is the first year where I’ve had enough time to myself during the week, where I could do my Christmas shopping during the week, not that that was that much difference between how crowded the shops were mind you.

So, I dropped Boy Lacer off at nursery, where he immediately joined up with his “special friend” who he has been playing with for a little while now, except he calls the special friend Abigail, despite his special friend being actually a boy and me repeatedly telling him what the boy’s name is. In fact for a while I had thought he had made two friends in nursery, his friend plus this Abigail, but it appears possibly as if they’re one and the same. Or there may be an Abigail and he’s just interchanging the names, because as the speech therapist explained earlier this week when I said he was pretty useless with names, that he probably doesn’t think it’s important to correctly link the name with the person (an example of this is that he’ll randomly use the name of one of Girl Lacer’s many friends to refer to any other of her friends, regardless of whether he’s actually got the right name or not). Anyway they make a sweet pair of friends, at least for the moment.

So, off I went on my merry way into town, with the complete and utter naivety that getting £80 out of the cash machine would cover everything (I just had Girl Lacer’s main Christmas present, plus the majority of the stocking fillers to get), huh, first stop was Early Learning Centre and the total came to nearly £70! Having said that did include Girl Lacer’s main Christmas present and the majority of the stocking fillers.

Girl Lacer was hard to buy for this year, at least for the main present, partly because she is quite easy to please. Last year (in reception) they had written letters to Father Christmas, completely unbeknown to the parents I hasten to add, so when Christmas came and went and Father Christmas failed to deliver what was in the letter (because ‘Father Christmas” hadn’t seen it!) that did result in some confusion. So this year I’ve been trying to get her to write her Christmas letter at home, but she, like I say, is easy to please and just says she’d like some ‘toys’ and there I am, without much of a clue and wishing I had some hints, although thankful she still says toys because I know quite a lot of 6 year olds who are already not that interested in toys, which is sad, kids grow up so quickly these days. I am thankful that we don’t have satellite TV, so that although my kids have an overfondness for toys branded with CBeebies characters (Charlie and Lola – as usual and Timmy Time, will be featuring heavily this year), they aren’t swayed by toy and computer game ads on the commercial channels, they also aren’t that swayed by their friends, who all seem, other than a mild interest in High School Musical and an obsessive collective interest in superheroes, not that swayed by fads either. Whereas from what I’ve heard from friends further afield, all there kids want this Christmas is a toy hamster and a DSlite. I doubt Girl Lacer even knows what a DSLite is and long may it stay that way because when she starts asking for one of those, ouch, my poorly projected budget wouldn’t get anywhere near and introducing just one DSlite into the house would cause so many fights between Girl and Boy Lacer, as I said to Mr. Lacer, “We’d need two”, to which he replied “No, we’d need three”, i.e. he’d want one to. Me? I’m just happy with my iPhone.

So what did I get Girl Lacer in the end? A toy farm, despite me promising myself I wasn’t going to get one for lack of space. I just remember having a toy farm at Girl Lacer’s age and loving it so much and you never know, next year she may actually know what a DSLite is.

So other than the toy farm, Father Christmas has been quite the bibliophile this year and has brought some beautiful books and would have brought more but (s)he had to control themselves. I dislike getting very cheap plastic-y toys for stockings, they rarely last beyond the day itself and therefore I see them as false economy and not particularly helpful to the environment. So, other than the books, there is some crafty stuff and some puzzles. I need to get some underwear (Father Christmas is being really boring this year) and some sweets nearer the time (otherwise I’ll eat them). And so, even with those fairly minimalist stockings, they still were over my £80 budget, thank goodness I’m making the rest of my presents!

Anyway, after struggling back with the shopping, I picked up the kids (having gone back home first of course to drop off the shopping first, I can imagine the scene if I’d turned up at the school gates with a very large, very recognisable to the kids, Early Learning Centre bag, I could not have explained that one away) and had to go to the corner shop, as with all that shopping, I didn’t actually have time to go to the supermarket. On the way back we popped into the local library where they were holding a small exhibition of local historical photos, which were absolutely fascinating. I live in a large late 1930s housing estate and they had copies of the adverts advertising the then new estate and early photos, plus photos going back even further to the early 1900s and it was fascinating to see how little had changed, I guess a benefit of living in a fairly old part of London. It was also fascinating to see the house ads, particularly the description of the kitchens and the bathrooms. The bathrooms were billed as having ‘interesting’ choice of tile colour schemes, hmm I can imagine. The kitchens were described as having (and I can’t remember what they called it, but it sounded like the 1930s equivalent of putting John Lewis kitchen in housing particulars) something anyway, along one wall in the kitchen. It basically sounds like a block of kitchen units, so ahh that explains a lot, as you may know, me and my kitchen do not get along, it’s way too small and that’s because it was designed to just have one bank of units on one wall! I’ve always known, after living and house hunting in an area with predominately 1930s housing stock, that 1930s kitchens are small because back then they didn’t have to plan for the dishwasher, washing machine and the large fridge freezer (we house hunted one flat where the kitchen was literally so small we couldn’t actually fit in a full size fridge freezer, let alone anything else and we knew that if we were to buy that flat we would have to do major building work first, we were so tempted, only having a 9 month old baby at the time, put us of). But our kitchen is so badly designed, two full width rows of unit and overcrowded with wall units, we have such plans (that involve money sadly).

Some good TV

Can you guess I’m taking the afternoon off working to do some blogging?

One of my favourite things when embroidering, is to switch on my laptop, open up iPlayer and catch up with some documentaries which I don’t normally get a chance to see in the evenings watching TV with Mr. Lacer, as then, if we’re watching anything, it’ll likely be something like Defying Gravity (which is good too, why isn’t anyone else watching it?), Merlin (which is undoubtedly fantastic), Spooks (after an initially slightly boring opening episode for this series, exciting as always) or um Top Gear. So, when it’s just me and my iPlayer, I watch stuff that Mr. Lacer wouldn’t watch.

My current favourite iPlayer fix is Andrew Marr’s The Making of Modern Britain, in fact it’s my dad’s birthday today and I’ve Amazoned him the book from the series with absolutely no ulterior motive, honest, absolutely nothing to do with me going up there at the end of December. Marr is a fantastic documentary maker, the way how he structures each episode is brilliant, in particular how he opens with a small but absolutely fascinating detail (like the way how they decided which body would be in the Tomb of the Unknown Soldier or an opulent party in a swimming baths) and then expands his subject but often rounding off each episode back to that original detail. I love the photos they find to, now I’m sure there are plenty of photos from the beginning of the twentieth century where everyone looks really flat and dull but the photos they show, there’s so much personality in the faces, perhaps because the photos they show are of the forceful personalities that drove the beginning of that century. I’d highly recommend this series and if you’re in the UK, you catch up with the entire series on iPlayer.

I also have a new favourite now though; School of Saatchi, which is part of a modern art season. A bit like The Apprentice for modern artists, Charles Saatchi (who, I’m such a foodie, all I could think about every time they mentioned his name was “Ooh, he’s married to Nigella isn’t he”) is offering basically his support (exhibition space and a studio) to the remaining artist at the end of the series. So they started off with a warehouse full of artists, whittled it down to twelve and then to six, I don’t know if they’ll do any more whittling or whether the final six remain until the end of the series, we’ll see. What was particularly fascinating was that Saatchi doesn’t ever appear on camera (if ever there are two people so different surely, it’s Saatchi and Lawson, you could hardly, after all, suggest Nigella is publicity shy), so instead of judging the work himself initially, he has a team of lackeys (think Nick and Margaret in multiple), who do the work for him. Saatchi then goes and views the work separately, with another assistant and then that assistant meets with the other lackeys and tells them basically what Saatchi thinks. There was a real strong impression that the lackeys opinions (beyond whittling down the initial warehouse) opinions didn’t actually really matter, Saatchi was going to visit without the cameras and what he said counted.

The artists themselves were all pretty good, I liked the guy who did the room with the stick structures and the girl who did the video of the birds particularly. And as artists they were understandably (and this always makes for good reality television) quite opinionated and did not like being asked that horribly hard question about their work “What makes this art?”, which was annoying them, as I think they thought they were patronising them, I think the lackeys were just being deliberately tough and not looking for a particular answer, just seeing how they responded. Interestingly none of the candidates really answered the question that convincingly. I think this will be compulsive viewing.